Jailhouse Rock (actually shot in Superscope)ĭe Luxe Tour - CinemaScope 55 - This was an ambitious Zanuck project that was apparently never completed. 'One of the most enjoyable marriages of the fantasy and mystery genres on the shelves,'(Cinescape) the Dresden Files have become synonymous with action-packed urban fantasy and nonstop fun. The Royal Tour of Queen Elizabeth and Prince Phillipġ956 Fox Regalscope (Black & White CinemaScope) Films The Black Whip In France and Spain there were licensed CinemaScope films shot with Franscope (originally known as Cinepanoramic) lenses, and S.T.O.P., Henri Chretien's company. It was not necessary for a film to be shot with Bausch & Lomb lenses to be labeled as a CinemaScope picture. For instance, The Leopard (1963) was photographed in Technirama. See also the listing of CinemaScope clones.Ģ0th Century-Fox (back when they retained the hyphen) often relabled foreign made films that they distributed both domestically and abroad. From 1960 on, all CinemaScope films were identified as such. These were really bona-fide CinemaScope product. During the years 1956 thru 1959 they decided to produce some black & white films, mostly "B" pictures, which they used the Regalscope label to identify. These films will carry a small credit stating, "Process Lenses by Panavision".Ģ0th Century-Fox had a policy that CinemaScope would be used only on "A" pictures made in color. Most, if not all of MGM's black & white CinemaScope films were actually shot in a manner virtually identical to Superscope 235. Most of these films were from M-G-M though a number of Columbia films used the new Panavision lenses for their CinemaScope films. These are films that carried screen and print credits for CinemaScope but were photographed with Panavision lenses. Note that some listings, beginning in 1958, include the term (Panavision). Las lentes Panavision llegarían a ser el Standard de Hollywood.Widescreen Museum - CinemaScope Filmography FILMOGRAPHY PANAVISION: Trabajó con MGM (65mm o 70mm)-> MGM Camera 65: Raintree County (1957), Ben-Hur (1959),ĭespués desarrolló SuperPanavision 70 con especificaciones tecnicas parecidas a Todd-AO: Exodus (1960), West side story (1961), Lawrence de arabia (1962). Solo se lanzaron 16 peliculas en este formato: South Pacific (1958), Porgy and Bess (1959). Todd-AO (Todd American Optical): 65mm (70mm) la primera fue Oklahoma! (1955), Around the world in 80 days (1956). CINERAMA: three cameras (35mm) and three projectors. La primera fue White Christmas (1954) Paramount did not use anamorphic processes such as CinemaScope but refined the quality of their flat widescreen system by orienting the 35 mm negative horizontally in the camera gate and shooting onto a larger area, which yielded a finer-grained projection print. Fue la respuesta de Paramount a Cinemascope. is a higher resolution, widescreen variant of the 35 mm motion picture film format which was created by engineers at Paramount Pictures in 1954. Panavision:1959-1983 Super Panavision 70 was the marketing brand name used to identify movies photographed with Panavision 70 mm spherical optics between 19. Gentlemen prefer blondes (1.37:1 pero el numero es widescreen). First movies: The Robe, How to marry a millionaire. After that time by some error 20th Century Fox forgot to renew the name - CinemaScope. ![]() 2.66:1 y con el audio se estandarizo a 2.35:1. Cinerama, Cinemascope, Vistavision, Todd-AO,y Panavision fueron los mas importantes.Ĭinepanaromic, Cinemascope 55, Dyaliscope, MGM Camera 65, Panascope, Panavision, Super Panavision 70, Superscope, Technirama, Techniscope, Todd-AO, Ultra Panavision 70, Vistascope, VistaVision, Vistarama.
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